Friday, June 14, 2013

If It Be Not Now . . . episode 2

If It Is Not Now…
Episode 2

As Maggie Saltz left the room leaving a hub-bub of excited voices behind her she could feel the familiar atmosphere permeating the hallway.  A variety of sounds were bleeding from the acting classrooms—dramatically projected conversations, laughter, a tenor singing “There Are Giants in the Sky”, but that was equally true of the other 140 days of the school year.  As she virtuously took the stairs up to her office rather than taking the elevator, she considered the difference. Ah, yes. The first day feeling. For almost as long as she could remember the first day of school had been in some way the best of the year. It was true in kindergarten and, almost fifty years later, it was still true. Though she had not actually been in school for six of those years, the feeling had been the same. A regional theatre season and a school year were almost identical in the arc of their development. Yes, she had worked during the summer during those years at Springfield Rep but those off-season months had the same trajectory of preparation as summers did  back when she was in school. She was a good deal older now but she liked to think she wasn’t in bad shape. The good fortune of the kind of blonde hair that, cut well, needed no more than a quick blow-out, good bones, a trim waist, the same size ten figure she had been in high school.  Fortunately she had never been a beauty. It must be so hard on the prom queens of yesteryear to look in the mirror and daily regret the end of youth. Yes, she was no longer young but wearing well.  And on the first day of school she still had the impulse to skip down the hall. 

Front row as a student or front of the class—the feeling remained perpetually the same. Days before the day adrenaline started pumping before the alarm went off making setting it unnecessary until Christmas break. Even her morning coffee was more—piquante—flavored with anticipation as well as Hazelnut Creamer. Her daily shower was often longer as she lost track of the number of times she had lathered and rinsed hair and body as her mind was filled with consideration of what knowledge, what teaching strategies were going to be needed, what novelties would present themselves in this new year. Just like her Dad. It was only now, two years after his death, that she had realized the degree to which she was her father’s daughter 

He had been an excellent gardener as long as she could remember.  And tomatoes were his particular joy and expertise. Widely regarded as the best in the city. Once July had brought the first fruits to blossom it had been such a pleasure to pick one fresh, barely rinse it off (no pesticides even in the 60’s when hardcore insecticides were still available and legal) cut it thick, still warm from the sun, sprinkle with salt, add a little slather of mayonnaise and, atop an equally warm slice of Mama’s homemade bread—there was no sophisticated gustatory delight in all the years following that had ever topped it.  Except perhaps the first meal of tiny new potatoes, boiled and eaten with salt and butter. 

Every year there were new species, a new compost heap, new challenges of sun and rain, drought and weeks of overcast. Each of these challenges had made the days for him a never-ending challenge and each victory something wrung from the difficult soil of Missouri. Actually as a child she had not at all been able to understand his pleasure in gardening. Could not understand how, having stood all day at a pressing machine in a pants factory he could hurriedly change his clothes and work for another two or three backbreaking hours in the garden.  It was true he was a bull of a man whom no physical challenge seemed to phase but, as she watched him from her perch in the tree just outside the perimeter of the garden, she turned a page in her second book of the day and thought how hard life must be for him. He had often spoken with a little sadness of having had to leave school after the fifth grade to take care of the family farm. Three of his older brothers had not wanted to be farmers and left for the “Big City” (St. Louis) to make their fortunes.  At thirteen the care for the farm, two aging parents and three younger siblings had fallen to him. He had never expressed the least bitterness for what Maggie had assumed was a profound sacrifice.  It certainly would have been for her. 

Dad had retired from formal work at seventy-two to take care of her mother. But he didn’t stop gardening until infirmity had forced him to do so when he was nearly ninety and his great physical strength had at last abandoned him. During his last years he read many books, more than he would have ever read in his little country school. But looking out the window in those last years at the now fallow garden she could see a certain sadness she finally could understand. 

Now Maggie knew that she felt about her classroom the way he felt about his garden. There was a job there she felt she knew how to do and, though it was very challenging, the doing gave her constant pleasure. Even the summers were filled with reading, writing and learning more that might be shared the next year to advance her own understanding. When the day came when she could no longer till her “garden,” she hoped she would find something that would make her last days interesting, but at the moment she couldn’t imagine what it would be. Shaking off these unusually mordant reflections she “turned her frown upside down” and swung into Mia’s office to greet the in-every-way colorful department secretary.

“Oh, wow, look at you!  You’ve outdone yourself for first day glamour!  Love the blouse-of-many colors but the violet scarf in the new shortie cut is the piece de resistance.

“Thank you, thank you. You know I try. So, are you ready for me to send out the cast list to the newbies?”

“Sure. Press the button. Hopefully they are far enough away that their shrieks and cries of happiness or disappointment won’t reach my ears.  By the way, is the boss in?  And if he is, is he available to me for just a minute?  He wanted a report on the class with the new platoon.”

“Well, he’s in and since no buttons are lit he isn’t on the phone.  Let me check.  He said he was going to try to keep his calendar free for whatever unexpected but inevitable emergencies would arise.  Oh, hi Dr. Fred.  Professor Saltz is wondering if she could have a moment of your time. . . Okey doke,  I’ll send her right in.”

“Thanks, Mia. Once the dust settles in the next week or so, let’s do lunch. On me, of course.”

“Sounds good.  Go on in.  He’s had enough time by now to put on his pants.”

“Oh, you are so bad!”

“I’m not kidding.  When the air conditioning was off for a week in August I walked in on him without knocking and he was down to his skivvies.  Black boxer-briefs.  Very classy.”

“If you’re not careful I’m going to tell him you said that.”  She went in, opening the door slowly, even though the air conditioning had been restored.

“Hi, Maggie.  And how was your summer?”

“Terrific, Fred, lots of reading and writing.  Two weeks on Martha’s Vineyard with an old friend whose lucrative career in publishing in the city made possible a three-bedroom on the ocean with great beach.  Just the usual great conversation, great seafood, great wines, great meals.  How about you?”

“Well, I only get a month and two weeks of that I spend with my parents but my partner and I got two weeks in the city. Saw several new plays at the Fringe Festival and a couple on Broadway. Went to Stratford and The Shaw Festival on the weekends.  Great weekends.  Great month off. Long rest of the summer. You heard . . . “

“That the air conditioning was off for a week. Yeah.”

“No doubt Mia’s told you the rest. By the time the week is over,  half the department will be imagining me in my . . .  what she likes to call my skivvies.”

“I have no idea what you are talking about.”

“Sure. O.K. How did class go? Have you given them the cast list?”

“Mia just sent it out. And they are all on board to participate in reading for auditions tonight. That should introduce them to the undergraduates in a way that makes clear that their talents have a more mature development.” 

“I hope so. Happy as I am to be adding an MFA program, it’s going to be a great shock to many of our upperclassmen that they will not in fact be playing Hamlet.”

“Or Gertrude. Or Ophelia. Or even Laertes.”

“It’s going to take awhile before they appreciate that exposing them to the talents of people older and more experienced will eventually work enormously to their benefit.”

“You know that and I know that but . . . Well, anyway, that’s why I was arrogant enough to start this little experiment with Hamlet.  The challenge of embracing the greatest of Shakespeare’s plays . . .”

“Debatable. You know how I feel about Lear.

“Yeah, well. Let me cast you as Lear and then we’ll see.”

“Not this year, thank you.I’m not sure I’m ready to pass for eighty.”

“If we do it late in the semester, trust me, you’ll be looking the part.  And so will I.”

“You know I couldn’t think of doing Hamlet with undergraduates.  Some of the best actors in the world have foundered on the rock of that challenge. But with the actors we’ve been able to bring in . . .”

“Thanks to a VERY generous grant from the Chancellor . . .”

“I know, I know. The prospect of doing the play itself will be enough to stifle the grumblings of many of the littl’uns. And I’ve decided to cast understudies for all of the major roles.”

“O.K. Now I know you’ve gone round the bend.”

“No, it’s fine. You’ve given me an extra week. I’ll use that time to do an undergrad rehearsal every sixth day. In the meantime they’ll shadow the leads and they’ll be there for all the discussions, the exercises, the staging, the arguments about the staging. They’ll also see that no matter how experienced and talented, good actors know they start every new production at ground zero. It will be very advantageous for our most talented seniors to see them build the performances up over time.  And, if the theatrical gods betray, and we lose someone for a day or so, we will have someone more acquainted with the script than the stage manager to take his or her place.”

“Well, I trust you. You usually know what you’re doing.”

“Thanks for that resounding vote of confidence.  What do you think of the platoon system we’re using to bring in a class.”

“Maggie, you know this only works if we have sufficient faculty to teach a real professional graduate program for actors, designers, and playwrights. We can only afford that if we take in a class that, first of all, has a sufficient number of students to create a meaningful cohort.  But we don’t have the faculty to teach a new class every year. At the end of three years we’ll have proof of the success of the experiment, I hope. That’s when we can either hope to get the university to refund it as is or to hire sufficient faculty to allow us to bring in a new class every year.  I’m not sure we could even support that with our physical plant.  Five actors, a directors, a playwright and two designers we can fold into our existing production schedule plus two experimental productions a year in the Black Box Theatre with the playwright’s scripts.”

“I guess I just need the reassurance that the plan we’ve made is the right one, at least for now. You coming to the auditions tonight?”

“No, I’ll come on Thursday night for call-backs. Till then you’ll just have to hold down the fort alone.”


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